Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Friday, October 7, 2011

Alice in Wonderland Test Footage


In animated film-making (and I'm sure it still must be the case with digital animation today), creators would often film actors saying the script and "acting" a scene, and then illustrators would use their mannerisms and movements as inspiration for their drawings. What's amazing here is that what the actors in the test footage actually voiced the characters themselves; the animated characters capture and exaggerate the essence of the real-life actors, who seemed pretty larger-than-life themselves. Old classics in a new light, pretty cool!

Thursday, September 15, 2011

You really should go see "Contagion"


I thought it was excellent.
Also, check out this Op-Ed in the NY Times written by Dr. Ian Lipkin, a real epidemiologist at the Centre for Infection and Immunity at Columbia University who was hired as a consultant on the film. He and his team conceived of the imaginary (but plausible) virus that becomes thepandemic - down to its molecular structure (he says he used the real-life Nipah virus as his inspiration). Extremely cool - it also confirms the chilling realism of the film...

Here is a video he made about his role as advisor on the set:

Wise Words from Roger Ebert. "I do not fear death", an Essay



I do not fear death

I will pass away sooner than most people who read this, but that doesn't shake my sense of wonder and joy




This article is excerpted from Roger Ebert's new memoir, "Life Itself", available this week from Grand Central Publishing.

I know it is coming, and I do not fear it, because I believe there is nothing on the other side of death to fear. I hope to be spared as much pain as possible on the approach path. I was perfectly content before I was born, and I think of death as the same state. I am grateful for the gifts of intelligence, love, wonder and laughter. You can't say it wasn't interesting. My lifetime's memories are what I have brought home from the trip. I will require them for eternity no more than that little souvenir of the Eiffel Tower I brought home from Paris.

I don't expect to die anytime soon. But it could happen this moment, while I am writing. I was talking the other day with Jim Toback, a friend of 35 years, and the conversation turned to our deaths, as it always does. "Ask someone how they feel about death," he said, "and they'll tell you everyone's gonna die. Ask them, In the next 30 seconds? No, no, no, that's not gonna happen. How about this afternoon? No. What you're really asking them to admit is, Oh my God, I don't really exist. I might be gone at any given second."

Me too, but I hope not. I have plans. Still, illness led me resolutely toward the contemplation of death. That led me to the subject of evolution, that most consoling of all the sciences, and I became engulfed on my blog in unforeseen discussions about God, the afterlife, religion, theory of evolution, intelligent design, reincarnation, the nature of reality, what came before the big bang, what waits after the end, the nature of intelligence, the reality of the self, death, death, death.

Many readers have informed me that it is a tragic and dreary business to go into death without faith. I don't feel that way. "Faith" is neutral. All depends on what is believed in. I have no desire to live forever. The concept frightens me. I am 69, have had cancer, will die sooner than most of those reading this. That is in the nature of things. In my plans for life after death, I say, again with Whitman:

I bequeath myself to the dirt to grow from the grass I love,

If you want me again look for me under your boot-soles.

And with Will, the brother in Saul Bellow's "Herzog," I say, "Look for me in the weather reports."

Raised as a Roman Catholic, I internalized the social values of that faith and still hold most of them, even though its theology no longer persuades me. I have no quarrel with what anyone else subscribes to; everyone deals with these things in his own way, and I have no truths to impart. All I require of a religion is that it be tolerant of those who do not agree with it. I know a priest whose eyes twinkle when he says, "You go about God's work in your way, and I'll go about it in His."

What I expect to happen is that my body will fail, my mind will cease to function and that will be that. My genes will not live on, because I have had no children. I am comforted by Richard Dawkins' theory of memes. Those are mental units: thoughts, ideas, gestures, notions, songs, beliefs, rhymes, ideals, teachings, sayings, phrases, clichés that move from mind to mind as genes move from body to body. After a lifetime of writing, teaching, broadcasting and telling too many jokes, I will leave behind more memes than many. They will all also eventually die, but so it goes.

O'Rourke's had a photograph of Brendan Behan on the wall, and under it this quotation, which I memorized:

I respect kindness in human beings first of all, and kindness to animals. I don't respect the law; I have a total irreverence for anything connected with society except that which makes the roads safer, the beer stronger, the food cheaper and the old men and old women warmer in the winter and happier in the summer.

That does a pretty good job of summing it up. "Kindness" covers all of my political beliefs. No need to spell them out. I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this and am happy I lived long enough to find it out.

One of these days I will encounter what Henry James called on his deathbed "the distinguished thing." I will not be conscious of the moment of passing. In this life I have already been declared dead. It wasn't so bad. After the first ruptured artery, the doctors thought I was finished. My wife, Chaz, said she sensed that I was still alive and was communicating to her that I wasn't finished yet. She said our hearts were beating in unison, although my heartbeat couldn't be discovered. She told the doctors I was alive, they did what doctors do, and here I am, alive.

Do I believe her? Absolutely. I believe her literally -- not symbolically, figuratively or spiritually. I believe she was actually aware of my call and that she sensed my heartbeat. I believe she did it in the real, physical world I have described, the one that I share with my wristwatch. I see no reason why such communication could not take place. I'm not talking about telepathy, psychic phenomenon or a miracle. The only miracle is that she was there when it happened, as she was for many long days and nights. I'm talking about her standing there and knowing something. Haven't many of us experienced that? Come on, haven't you? What goes on happens at a level not accessible to scientists, theologians, mystics, physicists, philosophers or psychiatrists. It's a human kind of a thing.

Someday I will no longer call out, and there will be no heartbeat. I will be dead. What happens then? From my point of view, nothing. Absolutely nothing. All the same, as I wrote to Monica Eng, whom I have known since she was six, "You'd better cry at my memorial service." I correspond with a dear friend, the wise and gentle Australian director Paul Cox. Our subject sometimes turns to death. In 2010 he came very close to dying before receiving a liver transplant. In 1988 he made a documentary named "Vincent: The Life and Death of Vincent van Gogh." Paul wrote me that in his Arles days, van Gogh called himself "a simple worshiper of the external Buddha." Paul told me that in those days, Vincent wrote:

Looking at the stars always makes me dream, as simply as I dream over the black dots representing towns and villages on a map.

Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France?

Just as we take a train to get to Tarascon or Rouen, we take death to reach a star. We cannot get to a star while we are alive any more than we can take the train when we are dead. So to me it seems possible that cholera, tuberculosis and cancer are the celestial means of locomotion. Just as steamboats, buses and railways are the terrestrial means.

To die quietly of old age would be to go there on foot.

That is a lovely thing to read, and a relief to find I will probably take the celestial locomotive. Or, as his little dog, Milou, says whenever Tintin proposes a journey, "Not by foot, I hope!"




Thursday, August 11, 2011

Half Nelson

Have you seen this? So since I got my new computer (a sweet and massively fast macbook pro with an 1,000" screen - thanks papa!) I have been downloading a whole bunch of movies I've been meaning to see. Last night NIck and I watched Half Nelson and it is just amazing. Ryan Gosling is superb.... and also, I think I love him just a little -but that's for another post.

Sunday, March 20, 2011

Everything is a Remix Part II (Film)

Everything is a Remix Part 2 from Kirby Ferguson on Vimeo.


Kirby Ferguson’s series Everything is a Remix started with a look at how songs are recycled from past tunes. This second installment is about movies, and how everything old is new again. Among other movies, you’ll see visual illustrations of the influences you read about in the article In The Beginning: Star Wars. Note: After the credits roll, another movie is analyzed, starting at the seven minute mark.

And here is a special video dedicated to Kill Bill

Everything Is A Remix: KILL BILL from robgwilson.com on Vimeo.

Tuesday, March 1, 2011

Funny & Smart


I love Sarah Silverman, she is bright, socially astute, and hilariously self-deprecating. She and Bill Maher also make really cutting commentary in this interview on the really terrible formulaic writing in most comedy films - and how it's especially dire for women characters...

Sunday, February 13, 2011

Blue Valentine


When this movie first came out I actually told myself I was never going to see it. At first glance it looks like a boring, self-involved po-mo downer artsy cah-cah. And it some ways it is, but in an incredible way. It's so emotionally charged and "human" that for two and half hours you really have no choice but to be sucked into a film that brings you places I frankly didn't know a film could. It's definitely not a feel-good movie (though I saw it as a hopeful story, though most of my friends disagree) but absolutely worth seeing.

Saturday, January 29, 2011

Enter the Void


I don't know if any of you have heard about this movie before but it's a gem. I've never seen anything like it. It's basically a deep and surreal exploration of the subconscious with striking visuals. In Tokyo.

Highly, highly recommended.

Friday, January 21, 2011

Fascinating Hungarian Film




I'm sorry for being so MIA but i've been very busy with work etc. I still had time to watch an incredible hungarian experimental film last week called Hukkle. Basically Baba I read in your last post about Elephant that you like movies that have unique shots. Well this movie is for you. It's actually a silent film...so the shots play a super important role.

Anyways, all I can say is see it ASAP, you won't regret it

Enjoy!

Wednesday, January 19, 2011

Elephant




Another fascinating film. Moreover, the winner of the prestigious Palme d'Or at the 2003 Cannes Film Festival. I actually saw this in my cinema class last semester and it was one of the movies I enjoyed the most. I have a fetish for movies that are shot in weird ways. As you can see from the trailer, a large part of the film is shot from behind and there's a lot of other coo stuff but I'll say no more untill you watch it. I ended up writing my term paper on it and got a 93.. or an 87... one of the two I can't remember.

Here's the HBO trailer.


Tuesday, January 4, 2011

Film: Requiem for a Dream

After watching Darren Aronofsky's Requiem for a Dream last night, it inspired me to start a weekly (more or less) post of film reviews by various auteurs, directors and film studios. The movies can be new or old, American or foreign, ranging from blockbuster hits to an independent films. OK enough pretentiousness.. Actually, to be honest, most of the time it won't even be reviews since I might just ask you guys to see the movie or I'll talk about a movie that you've already seen or something...




So this is less of a review and more of a suggestion. For any of you that haven't seen it, I highly recommend it and you really get a look at how original and unique Aronofsky's film making style it. Also, his approach to the central theme of the movie is very well depicted and even though his movies might be really deep, they're always understandable and they don't leave you all mind fucked at the end, trying to figure out wtf just happened (a la 2001: A Space Odyssey) . Anyways it's also his second movie, and perhaps a true showcase of the talent of some lesser known actors and actresses. This was his second film.



Note: I read online after watching it that there is an edited version of the movie which was made to comply with some FAA stuff... Here's the quote from wikipedia: "An edited version of the film was released on video, rated R. This version had the sex scene shortened, but kept the rest of the movie identical to the unrated version. This R-rated version was only distributed in video store chains such as Blockbuster as well as some family-oriented department stores such as Target." Guess where I bought mine!! The director said that he thinks anything removed from the film will take away form it's integrity and that every minute matters, so it's up to you to decide wether you want a longer sex scene. However, I also believe that the unrated version has a cooler cover (the cover illustrated at the beginning of the article) than the edited one.

ENJOY!



Monday, November 1, 2010

Sunday, September 19, 2010

Canada

Here's a cool, trippy 1970 video from the Canadian National Film board commissioned for the Osaka World Fair:



Monday, September 13, 2010

Whatever you do...

... do NOT go see Machete.

Monday, September 6, 2010

Theme song in movie "This is England"

I saw "This is England" on netflix this weekend and it's a 10/10. You guys need to see it ASAP.

Here's the theme song:

Sunday, August 29, 2010

Movie talk

Hello y'all

It's going to be a little hard for me to post during the week because the workweek is like being on a train - without realizing it, everything just flies by. The weekends though are a whole different story.

I had shabbat dinner last night at Mau's place. It was a little bit weird since Mau missed the actual dinner because he was passed out drunk after a day playing golf with some business men. They apparently got blackout on margaritas. So, whatever, no big deal. I figured I would just have a nice dinner and eat some yummy kosher food.

Well things turned ugly. All of a sudden they all started talking about the Mosque at Ground Zero. Then the conversation shifted to Israel and the Middle east. Then to Iran. Naturally, it was complete SNAFU. I stayed quiet the whole time and simply nodded at the right moments.

But the rest of the weekend was great. I watched two movies: Milk and Mesrine.

Milk was kind of boring, kind of interesting. Sean Penn is an incredible actor, but to be honest the story of a local gay rights political activist can only be so interesting. Just like a glass of water can only be so good.

Mesrine, on the other hand, was great. Here's the preview:



I also saw last Monday the Pat Tillman documentary and it was absolutely fascinating



Baba, you also need to look out for the movie Howl that should be out soon. I'm sure you'll find it super interesting since it's all about Allen Ginsburg and the Beat Generation.

Any hoo that aboot it. Keep the posts comin'

-a